June 1, 1936
Taiwan Geijutsu Shimpo
Vol. 2, No. 6
Dance Princess of the Peninsula: Choi Seung-hee
Grand Performance in Early July
Unprecedented on the Main Island
A Great Success
Program
Dance of the King: accompanied by gong
Sacrifice: by Bloch
Three Poems: music by Crane
- A: Dramatic Poem
- B: Lyric Poem
- C: Antique Poem
Rhapsody: Beethoven piece
Korean Style Duet: Korean Folklore Piece
Tristesse: Chopin piece
Maiden's Dance: Korean Classical Music
Study No. 3: No Music Accompaniment
Dance of the Mask: Percussion Accompaniment
Youth: Pablo de Sarasate
Three Korean Melodies: Korean Music
- A:
- B: Folk Song Style
- C:
The Red and the Black: Piano and gong accompaniment
Honihoro Shi: music by Nishikiyo Kadono
Dance of the Golden Fingers: music by Grier
Flow of the Heart: Tchaikovsky piece
Excerpts from reviews of Choi Seung-hee
Baku Ishii: Choi Seung-hee's body is indeed unusually fine for a Japanese in terms of its proportions. Her every move can be twice as effective as that of a normal human being. When it comes to something like "Going to the Wilderness," the word "powerful" is certainly needed. Reprinted from "Gendai".
Yasunari Kawabata: Without any hesitation, I answered that Choi Seung-hee was the best in Japan. And there was no doubt in my mind that Choi Seung-hee had what it took to make me agree. It is easier to say that Choi Seung-hee is the best in Japan than to say that anyone else is the best in Japan. First of all, she has a magnificent physique. The size of her dance. Her power. In addition, she is in the prime of her dancing years. She also has a distinctly ethnic flair. Reprinted from "Bungei"
Hiroshi Eguchi: What I feel when I see Choi Seung-hee's dance is the beauty of incompleteness. But that does not mean that it is a wild art. Although it has been polished in many ways, there is an unfinished, and therefore unique, character to it. Reprinted from "Music World"
?ta Ryu?: There are many women in the dance world, but there are not many artists who have a spirit of thought in their dance. In an age when most of the dancers are immature and flashy, it is a powerful thing to have a woman like Choi Seung-hee. Reprinted from "Homeline".
Tomoyoshi Murayama: It was a great surprise to encounter the dance of Choi Seung-hee. She has revived the old Joseon dance on the basis of her physical prowess and long years of basic training in modern dance. This is a privilege that only a great artist can achieve, or in other words, a "critical reception of heritage". We were able to feel a maternal stirring through her. Reprinted from the "pamphlet"
Performance Schedule
- Keelung: 1 day
- Taipei: 3 days
- Taichung: 2 days
- Chiayi: 1 day
- Tainan: 2 days
- Kaohsiung: 2 days
- Pingtung: 1 day
半島の舞姫：崔承喜
七月上旬大公演
本島未曾有
一大収穫
王の舞：銅羅伴奏生贄:ブロッホ三つの詩：クレイン曲
- A: ドラマティック・ポエム
- B: リリック・ポエム
- C: アンティク・ポエム
狂想：ベートーヴェン曲朝鮮風のデュエット：朝鮮俗曲無優華：ショパン曲巫女の舞：朝鮮古曲習作第三：無音楽仮面の踊：打楽器伴奏青春：サラサーテ曲三つのコリアン・メロデー：朝鮮音楽
- A:
- B:民謡調
- C:
赤と黒：ピアノ・銅羅伴奏ほにほろ師：角野錦生曲金の指の踊：グリエル曲心の流れ：チャイコフスキー曲
- 基隆 一日間
- 台北 三日間
- 台中 二日間
- 嘉義 一日間
- 台南 二日間
- 高雄 二日間
- 屏東 一日間
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